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This Winery In Los Olivos Holds One of the Biggest Mexican Folk Art Collections

You'll find stirring displays of Oaxaca's barro negro pottery and vibrant, Tonala-burnished white clay bowls, ceremonial costumes from Guerrerense processions, beaded Nativity scenes, carved and gilded gourds, ceramic fruit vendors and smiling demons from Ocumicho, plus chilled sauv blanc from some of the first vines from that grape planted in Santa Ynez Valley.

Arbol de la Vida “Dia de los Muertos,” by Puebla’s Alfonso Castillo Hernandez Family. Photo by Hadley Tomicki for L.A. TACO.

Santa Barbara Wine Country keeps its secrets close to its assless chaps vest.

By now, you probably know the tri-tip sandwiches tucked into a Hobbity-hillbilly holler off the 154 at Cold Springs Tavern—fleeting glimpses of flightless avian dinosaurs spurring mirages of the sub-Saharan savanna along the Solvang-Buellton divide. The after-dinner digestifs, renowned wineries are dedicated to on the sly, when breaking from their Châteauneuf-du-Pape-style blends.

But esoteric treasures still remain hidden within these valleys. As long as you know where to look.

At Los Olivos' Brander Vineyard, legendary for introducing Sauvignon Blanc to the region, there's a mind-blowing treasure trove of folk art from all corners of Mexico tucked among the vineyards. Like the sweeping and venerated 50-year-old winery itself, you could easily miss it when blowing past on Refugio Road.

Brander has both a subterranean gallery below the central chateau that houses is tasting room, where the flags of Argentina, Sweden, and the U.S. fly, representing the heritage of winemaker Fred Brander.

Up the hill, there's a jaw-dropping stand-alone museum packed with master artists, the beaded glories of famous Huichol clans, and scenes of nearly Biblical disaster hand-shaped in red clay, highlighting just a handful of the 1,200 folk art pieces collected by 74-year-old Brander over many decades.

Museum tours are only available by reservation, while the tasting room gallery is still yet to publicly debut, despite an ongoing exhibit dedicated to the "Treasures of Jalisco."

You'll find stirring displays of Oaxaca's barro negro pottery and vibrant, Tonala-burnished white clay bowls, ceremonial costumes from Guerrerense processions, beaded Nativity scenes, carved and gilded gourds, ceramic fruit vendors and smiling demons from Ocumicho, and more.

Encountering this cache of culturally vital, breathtaking Mexican and Indigenous craftsmanship in a region best known for its fleets of weekend visitors endlessly circling sleepy, small town blocks in search of the next hit of Sideways nostalgia feels like a stumbling over a cultural wellspring in a baking desert.

Not to mention, there's a chilled Brander Sauv Blanc, or a Cabernet Sauvignon grown in soil from the deadly Montecito mudslides, always at hand.

Here's a brief look at some of the works found within Brander Museum of Folk Art in Los Olivos. For tour reservations next time you're visiting wine country, email the winery here. The winery also has two houses on property, available to rent and similarly festooned with highlights of Brander's collection.

Brander Vineyards ~ 2401 N. Refugio Rd. Santa Ynez, CA 93460

Costumbe de Carnival from unknown artist, next to a metal rooster, part of the museum's "Tesoros de Jalisco" exhibit. Photo by Hadley Tomicki for L.A. TACO.

"Guaje Decorado Hoja de Oro," by Francisco Coronel of Guerrero. Photo by Hadley Tomicki for L.A. TACO.
"Huichol Mini Vocho" by H. Lopez, and "Nacimiento Huichol," both from Jalisco. Photo by Hadley Tomicki for L.A. TACO.
"Corn with Skulls" by barro negro artist Carlomagno Pedro, of San Bartolo Coyotepec, Oaxaca. Photo by Hadley Tomicki.
Ken Edwards Studio, Tlaquepaque. Photo by Hadley Tomicki for L.A. TACO.

Photo by Hadley Tomicki for L.A. TACO.
Ceramic works at the Brander Museum of Folk Art. Photo by Hadley Tomicki for L.A. TACO.
"Temporada de Pitayas," by Amilia Galan Preciado of Jalisco. Photo by Hadley Tomicki for L.A. TACO.
Ceramic Plaza de Toros Guadalajara. Photo by Hadley Tomicki for L.A. TACO.
Ceramic vases, including "Pina Verde Con Tapa Nopal" (left), by unknown artists, from Michoacan. Photo by Hadley Tomicki for L.A. TACO.
"Pollo Loco" by Zenaida Rafael Julian, of Ocumicho, Michoacan. Photo by Hadley Tomicki for L.A. TACO.
Photo by Hadley Tomicki for L.A. TACO.
"Craneo con Mariposas," by Alfonso Castillo Hernandez Family, of Matamoros, Puebla. Photo by Hadley Tomicki for L.A. TACO.
"Cantina," by Horacio Gavito, of Mexico City. Photo by Hadley Tomicki for L.A. TACO.
The parting of the Red Sea in clay. Photo by Hadley Tomicki for L.A. TACO.
The parting of the Red Sea in clay. Photo by Hadley Tomicki for L.A. TACO.

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