Skip to Content
Music

Widow of Tupac Shakur’s “All Eyez On Me” Producer Adds Fraud Claim to Song Royalties Lawsuit

Paul Sableman/Flickr Creative Commons

Capucine Jackson, the widow of Johnny Lee Jackson, a musician and producer who worked with Tupac Shakur on over 100 songs, including many of his best known hits, including "How Do U Want It," "All About You," "Hit 'Em Up" and "All Eyez On Me," has added a fraud claim to her existing lawsuit, which seeks royalties that she alleges Amaru Entertainment Inc., the company formed by the late rapper's mother, Afeni Shakur, is refusing to pay under a contract.

Jackson is now seeking punitive damages, as well as at least $500,000 in compensatory damages in her breach-of-contract against Amaru Entertainment Inc.

In an amended complaint brought Monday in Los Angeles Superior Court, the plaintiff alleges Amaru Entertainment intentionally failed to disclose certain facts in the SoundExchange royalty statements that only Amaru knew about and that the plaintiff was unable to discover on her own.

"[The] defendant intended to deceive [the] plaintiff by concealing the existence and contents of the SoundExchange royalty statements," the amended suit states.

SoundExchange is a nonprofit performing rights organization formed in 2003 that collects digital performance royalties from digital radio companies when they license and use master recordings. It then distributes the royalties to artists and copyright owners who obtain letters of direction from the featured artists or their representatives.

Amaru Entertainment attorneys argue in their court papers that Capucine Jackson is not entitled to a share of Amaru's SoundExchange royalties, in part because her claims are barred by the four-year statute of limitations that began running when SoundExchange was established.

Shakur died Sept. 13, 1996 at the age of 25, six days after being shot in a drive-by incident in Las Vegas. Amaru Entertainment was founded in 1997 by the singer's mother, Afeni Shakur, who herself died in 2016 at age 69.

The lawsuit states that Johnny Jackson, a Juarez-born, South L.A.-raised musician known professionally as Johnny "J," signed a producer agreement with Amaru in May 2001 that dealt with all of the master recordings on which he had worked with the rapper, outlining his royalty rights. On the "All Eyez On Me" album alone, Jackson co-wrote and helped produce eleven tracks and "and was never paid the $100,000 advance or the per song royalties of 3% he was supposed to receive," according to a website detailing the various lawsuits filed against Tupac and his estate.

After Johnny Jackson died in October 2008, Capucine Jackson reached out to performing rights organizations to confirm that she was listed as a beneficiary of her husband's royalty rights and that she was receiving everything she was entitled to get, according to the suit.

In 2019, Capucine Jackson completed all the required steps to receive all due monies from SoundExchange after learning of the possibility of collecting royalties from the company.

"However, SoundExchange is the only platform that has withheld royalties owed to plaintiff, and that is completely due to the bad faith conduct of Amaru," the suit says, also stating that both Amaru and Capucine Jackson are entitled to a percentage of royalties from Shakur's work through SoundExchange.

Capucine Jackson's former attorney reached out to Amaru in June 2020, but Amaru "kept telling plaintiff's attorney that they were looking into it and continued to ignore her requests for a letter of direction," according to the suit.

Stay in touch

Sign up for our free newsletter

More from L.A. TACO

L.A.’s Best Comfort Dishes, According to L.A. Line Cooks

Line cooks know the truth behind every plate. Their recommendations are hard-earned, and if they let you in on them, you listen. Here's a guide to their favorite comfort dishes in L.A.

February 25, 2026

Flock License Plate Readers Spark Privacy Concerns at L.A. State Historic Park in Chinatown

“For many the state park [and] Yaanga, has been a place of convening and arrival since before this country. The irony of these cameras disrupting that legacy is upsetting," said Joel Garcia of Meztli Projects.

February 24, 2026

He Built a Camera From Firearms To Photograph U.S. Gun Owners For ‘Thoughts & Prayers’ At La Luz de Jesus Gallery

"I hope the exhibit leaves people unsettled in a productive way, says artist Wayne Martin Belger. "I don’t tell viewers what side to stand on. I create a space where they have to sit with what they’re seeing."

February 24, 2026

How Photographer Alanna Airitam Got In With Black Outlaw Motorcycle Clubs For Her Show ‘Black Diamonds’ at La Luz De Jesus Gallery

"When an OG told me, ‘We just wanted to ride,’ I kept thinking about that. The open road. Wind in your face. Pulling over wherever you want. It’s the American freedom myth we’ve seen in films like Easy Rider. But what did that actually look like for Black men in the late 1950s, navigating sundown towns, police harassment, and the necessity of the Green Book?"

February 24, 2026

Daily Memo: Several ICE Agents Seen Meeting With Bell PD This Evening

The Bell Police Department, who has previously interfered with and arrested community watchers on behalf of ICE, was once again seen cooperating and meeting with about a little over half a dozen Federal Immigration Agents in the late evening raising concerns again about SB54 violations.

February 23, 2026

Waking Up In Puerto Vallarta The Morning After Cartel Attacks

L.A. TACO's editor-in-chief reports from the ground the day after El Mencho's death.

February 23, 2026
See all posts