Artist Susan Logoreci creates intricate colored-pencil on paper drawings of cities all over the world, but with an emphasis on her home metropolis, Los Angeles. Her combination of detail and abstraction renders the urban environment both inviting and warped. It's a fitting style for our city, as many would consider L.A. itself to be invitingly warped...
Most of the works featured here are very large, with 4' x 6' being a standard size for many of the works. The size translates well to public art-- her works form the basis for mosaics that will appear at Metro's new Expo Line stations in 2016. You can learn more about the artist on her website.
The tamal vs. tamale debate has an almost emotional connection with people simply because it becomes a “how my family speaks the language vs. how it’s ‘supposed to be’ written” type of language conflict. In a culture like Mexico, where family always comes before anything, it makes sense that people will go with what feels familiar rather than what they are expected to say.
The best L.A. bars for axe-throwing, cumbia nights, playing pool, doing graffiti, smoking, playing pinball, and other fun, possibly delinquent activities.
"Mezcal has become a commodity for many, without any regard for the earth, [or] for Indigenous people's land rights," says Odilia Romero, an Indigenous migrants rights advocate from Oaxaca and the executive director for CIELO. "Oaxaca is also having a water access issue.
Plus, Malay-style wings, a collaboration pizza-topped with Philippe The Original's French-dipped beef and hot mustard, and more in this week's roundup.
Ragusano is disappointed that the L.A. Times didn’t publicly disclose that there was an outbreak at their event. “Obviously they’re not going to print it in their paper,” Ragusano said. “But they‘re a newspaper and newspapers are supposed to share the news. This is how people usually find out about something like this,” she added. “It's ironic because it happened to them.”