Skip to Content
Art

Greg Lamarche – I Can See For Miles ~ Los Angeles

Greg Lamarche - I Can See For Miles
September 17 - October 8, 2011

Known Gallery is pleased to announce, I Can See For Miles, an exhibition of recent works by New York collage/ graffiti artist Greg Lamarche. This show offers a wide range of styles from hand cut letter pieces to abstracted paper remnants as well as representational collages.  The exhibition also features a site-specific wall drawing of hand drawn and designed letter forms.

Inspired by the dynamism of his native New York City and its role as an incubator of the outlaw art of graffiti, Greg Lamarche’s collages combine the city’s relentless rhythm and graffiti’s aggressive presence to express the power, elegance and rebelliousness of urban creativity. Using found materials and commercially printed papers from his vast collection of vintage printed matter, Lamarche abstracts graffiti’s visual language, playing with a profusion of font styles, word fragments, multiple layers, bold colors, rhythmic repetition, multiple perspective and movement. Each unique work of precisely hand-cut paper thus becomes an interplay of the directness of graphic design and the aesthetics of fine art.

Born and raised in New York, Greg Lamarche created his first collages in the sixth grade when he used fireworks wrappers found in his schoolyard. In 1981 he began writing graffiti on the streets and subways, and published SKILLS, a seminal graffiti magazine, in the early 1990s.

Lamarche has worked as both fine artist and graphic designer since 2000, and has been featured in numerous publications including the New York Times, San Francisco Chronicle, Boston Phoenix, Print, Juxtapoz, Modern Painters and Arkitip among others. He recently designed the cover of WORLD PIECEBOOK, (Sascha Jenkins and David Villorente, 2011, Prestel Publishers) and is featured in CUTTING EDGES: CONTEMPORARY COLLAGE, (R. Klantin, H. Hellige and J. Gallagher, editors; 2011, Die Gestalten Verlag, publishers).

He recently completed a limited edition of Post-Pop wood boxes printed with the Krylon logo, which will be officially released this month at the Art-Platform fair September 30 – October 3, 2011, Los Angeles.  He will also be exhibiting at the Pulse art fair, Los Angeles September 30 – October 3, 2011 where he has been commissioned to create a site-specific wall painting.

Stay in touch

Sign up for our free newsletter

More from L.A. TACO

Microdosing World Peace at Downtown L.A.’s Michelin Restaurant-Themed Sex Party

Wrestling clowns, glittering mermaids, and human pigs abound, as chefs from the world's most famous restaurant deejay (or pay tribute to Alinea on a nude model) at L.A.'s most joyously debauched sex jam.

These L.A. Restaurants Are Speaking Out After The Influencers They Paid Ghosted Them

When a popular Thai restaurant paid a content creator hundreds for a reel, they hoped it would bring new people to the restaurant. They didn't expect the influencer to vanish.

June 3, 2026

This Modern-Day Digital Jester Is an Absurdist Sex Toy Artist

Anything is a Fleshlight, if you’re brave enough.

June 2, 2026

OpEd: How To Strengthen and Grow Californians’ Access To Trusted Local News

As local newsrooms continue to close, California's proposed $35 million investment in local journalism deserves everyone's support.

June 2, 2026

Daily Memo: Adelanto Hunger Strike Expands to East Wing, As Staff Tempts Strikers With Burrito

“[T]hese hunger strikers we talked to said that a person could be lying on the ground seizing for half an hour, and nobody will come. It takes that long for anybody to get any medical attention,” said Congresswoman Judy Chu. 

Tom Steyer Paid Influencers Up To Six Figures For Undisclosed Political Ads Critics Say Are Violating Election Rules

Critics insist that influencers and creators, including Carlos Espina and Foos Gone Wild, must disclose payments linked to paid political content for the Steyer campaign.

See all posts