Skip to Content
Live Music

Café Tacvba Show Review: An Unforgettable Acoustic Set with the L.A. Philharmonic-Assisted Chilanga Banda

11:51 AM PDT on October 24, 2022

To watch Café Tacvba perform live is to learn a valuable lesson in providing surprise and familiarity in equal measure. After 34 years in existence, the quartet from Ciudad Satélite, México, has mastered the art of the live show regardless of context and location. They are as comfortable in a stadium as they are in a hall as they are in a barn.

Naturally, it was exciting to imagine what the band had envisioned when it announced its two-night engagement at the Walt Disney Concert Hall as part of its “Un Segundo Concierto Acústico” tour in support of their most recent album, Un Segundo MTV Unplugged. The venue’s design gives it a feeling of intimate spaciousness. There are, technically, nosebleed seats, but they still feel close enough to make direct eye contact with the performers.

Rubén Albarrán (vocals), Emmanuel “Meme” Del Real (keys/guitar), Jose “Joselo” Rangel (guitar) and Enrique “Quique” Rangel (bass) arrived on stage flanked by Ramiro Del Real (guitar), Luis Ledezma (drums) and Richard Bravo (percussion) for the first portion of the concert.

Albarrán is a natural showman. At one point early on at the beginning of the show, he walked around the stage and silently acknowledged every inch of the WDCH with nothing but a look, a smile, and a nod. Everyone in that hall felt recognized and invited into his and his peers’ home for the night.

After eight songs, all classics re-envisioned for acoustic performance, Jerzaín Vargas (trumpet) and a brass band joined them on stage for a trio of songs, starting with “La Muerte Chiquita.” Gustavo Santaolalla also made an appearance to play a charango during “Olita de Altamar.” The gasps and applause that emanated from the audience when the stage lights revealed his face would have one believe that royalty had mysteriously coagulated from mist.

Tacvba ended the first hour of their nearly three-hour performance with a brass and acoustic edition of “Futuro,” with the throbbing, synthesized bass thumps of the original emanating from the instruments of the banda.

After a short intermission, the band then shared the stage with about two dozen members of the LA Philharmonic. For nearly two hours, Tacvba and LAP created a new fusion of the chilanga banda’s catalog, adding strings, xylophones, and more where none were before. Lesser talented musicians would have stuck with safer choices: reserve the strings for the more emotional songs on the heart-string-pulling scale.

Of course, that’s not what Café Tacvba did. They took some of their most upbeat, danceable classics and added the orchestra to them. Have you ever skanked to “Rarotonga,” “El Outsider,” or “Chilanga Banda” with an orchestra? You would have if you were at the WDCH on either night of this tour. 

There was also plenty of room for classics such as “Las Batallas,” “Esa Noche” and “El Puñal y El Corazón,” which were originally recorded with string arrangements. Listening to them with a live orchestra is something sweet. Even more powerful were the live renditions of “El Espacio” and “El Volcán,” which were converted into symphonic masterpieces. Shoutout to the guy in the devil mask who played the organillo during “Al Mediodía.”

The band closed out the night with the trio of “Eres,” “Quiero Ver” and “El Baile Y El Salón” to cap a night of surprising familiarity. We know these songs, but performed acoustically, with a banda, and with an orchestra, they felt fresh and new, even though we sang along to every word because we’ve been singing along for years.

SETLIST (October 22nd, 2022)


Diente De León

Trópico De Cancer

El Metro

El Ciclón

Bar Tacuba

Las Flores

La Chica Banda

La Muerte Chiquita (brass band)

Olita de Altamar (feat. Gustavo Santaolalla/brass band)

Futuro (brass band)

* (Intermission/LA Phil enters stage) *

El Aparato

La Locomotora

Las Batallas


Esa Noche

Al Mediodía

El Outsider

Chilanga Banda

Volver A Comenzar

El Puñal y El Corazón

No Puedo Parar (Meme’s solo track for Las Oscuras Primaveras)

El Espacio




Quiero Ver

El Baile Y El Salón

Photos by Farah Sosa on behalf of the Los Angeles Philharmonic

Stay in touch

Sign up for our free newsletter

More from L.A. TACO

Photo Essay: Hundreds Gather in Little Tokyo to Commemorate the 80th Anniversary of the Zoot Suit Riots

Big hair and even bigger pride to be pachucos! Here is our photo essay capturing some of our favorite moments from the momentous gathering.

June 5, 2023

Headlines: SoFi Staffer Accused of Dumping Vendors’ Hot Dogs, Making Kids Cry

The owners' three children were left in tears after the SoFi worker targeted the business, while an activist claims one of the children was also physically assaulted by the guard.

June 5, 2023

A ‘Secret’ Thai Seafood Pop-Up With Bangkok-Style Drinking Food and Natural Wine in DTLA

The enticing dishes at the reservation-only pop-up at a food court in DTLA's Historic Core neighborhood include a whole, two-pound rock cod fried until a chicharrón-like crispness, basking in an addictively savory tamarind garlic sauce, curried crab, oysters, and more.

June 2, 2023

Headlines: Saticoy Elementary Parents Protest Assembly and Reading of ‘The Great Big Book of Families’ At Pride Month Event

Parents gathered outside of Saticoy Elementary School in North Hollywood this morning in protest of a Pride assembly at the school that includes the reading of a book called "The Great Big Book of Families."

June 2, 2023

Spot Check! ‘Voodoo Chicken’ in Hollywood, a Weed-Themed Lucha Party In DTLA, and La Cevicherie Opens in Long Beach

There's also a free banda night in West Adams with asada Crunchwraps and cold micheladas, chowder fries and lobster bisque shots from a Westside truck, and black habanero aguachile in Long Beach.

June 1, 2023
See all posts