Skip to Content
Sponsored

Viva la Revolución on Melrose: Molotov Cocktail Art Show Opens Saturday at RCNSTRCT

10:20 AM PDT on August 4, 2018

[dropcap size=big]L[/dropcap]ong before cellphones were used to spark revolutions, the Molotov cocktail was the weapon of choice for protestors looking to incite flames within a city’s walls and citizens' hearts. The incendiary homemade device became a symbol of economic, political, and cultural uprisings worldwide, dating back to the Spanish Civil War to the recent Arab Spring to our own city blocks during the Watts and LA Riots.

The Trump Era seems ripe to rekindle the flames of protest. Think Tank Gallery and artist Phil America seem to think so, teaming up with El Silencio Mezcal to launch a series of immersive art activations featuring a Molotov cocktail vending machine and a pop-up lemonade stand that sells lighter fluid and hand-carved zippo lighters. These Melrose Ave street installations will lead-up to a four-day art show called We Stole the Fire opening on Saturday, Aug. 4th at RCNSTRCT Studio.

Phil America – West Side Candle

As with any art exhibit in Los Angeles, socially-conscious or not, We Stole the Fire will be centered around a compelling made for Instagram Story image. The black and red Molotov cocktail vending machine is sure to be popping up on your timelines this week. Conceived by Phil America, best known for his U.S. Border Unauthorized Galleries series, it is both a reflection of the rampant availability of weapons in our society and that revolutions are never cost prohibitive. “Molotov’s have historically been used to both resist and reclaim and the machine looks to ignite that same spirit in the viewer,” says America in a press statement.

The fully functional vending machine will sell a limited-edition run of 200 Molotov Cocktails (made from empty El Silencio Mezcal bottles that come with a custom “STEAL THE FIRE” bandana) at a bargain price of $5 (or $55 online). A large portion of the proceeds of each sale will be donated to Everytown, a non-profit working to end gun violence and build safer communities. You may recognize the equally fresh lemonade stand, which has been used in legendary art exhibits and murals from the likes of Shepard Fairey and photograffeur JR. The repurposed newsstand is bookended by neon lit revolution slogans and will be open from 3pm to 9pm each day leading up the Aug. 4 art show.

I had a chance to chat with the one of the curators, Jacob Patterson of Think Tank Gallery, about the We Stole the Fire art show.

LA Taco: A molotov cocktail vending machine is a powerful image, both innocuous and provocative. Tell us a little about the concept behind it and why it’s such an important part of We Stole the Fire?

Jacob Patterson: The concept of stealing fire from the gods is something that every ancient culture has to do to acquire free will. In a lot of South and Central American cultures when you steal the fire for free will you also got tequila and mezcal, which is pretty great!

So who are the gods of 2018?

We settled on government, advertising space, corporate greed — tyranny that’s holding power from the people. We were searching for what is used to take that power back. Molotov cocktails are the most powerful symbol of resistance. They fit our aesthetic: they’re punk, street and gritty.

Like all good interactive installations, The Molotov Cocktail seems designed for Instagram. (in 2016, Think Tank was named one of the 25 most Instagrammable art spaces in the country by Vice along with The Broad, The Met, The Guggenheim).

Definitely. It’s a satirical art experience. We were making what people now call ‘immersive art’ ten years ago when we first started. We would call it the ‘X-factor’, which was to make something that people who don’t know what art is or who don’t feel invited, would still come out to see. The Molotov Cocktail vending machine fits that perfectly. People who would never go to an art show have walked by (on Melrose), stopped, and bought one just to see if it’s real.

So, are the Molotov Cocktails usable?

We threw it off a brick wall. It bounced off and almost hit a car. That’s one of the reasons why we’re using the Silencio bottles. Someone would put themselves on an FBI watch list to look up how to make a Molotov Cocktail out of one of these.

Ceremonia by Robbie Conal

How can art shows like this incite us to be revolutionaries in our daily lives?

Shows like this bring people together. You get to see how artists are expressing their thoughts, which will spark conversations whether internally or by actually having a conversation with someone over a drink. That’s the first step towards making improvements in our lives.  if 100 people take a selfie or buy a Molotov Cocktail and 1 or 2 of them looks into it more than that’s a healthy start. The idea it is to call up resistance and make people realize they have everything at their fingertips to resist.

We Stole the Fire at RCNSTRCT Studio at 7400 Melrose Ave, Los Angeles, CA 90046 (on the corner of Melrose & Martel) runs opens on Sat, Aug. 4 at 6pm-10pm and runs from Aug. 5-7 at 11am-5pm.  The opening ceremony (Aug. 4) and three day group art show (Aug. 5-7) will be overseen by Think Tank Gallery (with co-curators Jacob Patterson and Andrew Barsoum). Confirmed artists include Phil America, Sheryo x The Yok, Lolo YS, Abars, Willie Gomez, Kristen Liu-Wong, Robbie Conal, Teddy Kelly, Deladeso, xTOFUx, Scott Hove, Homeless Cop, Gangster Doodles, Ginger Q, Nicole Salgar, Dorian Lynde, Alec DeMarco, Samuel De Angelis, Ray Young Chu, The Portalists, Jon Von Bonk and Roman Prado.

You can buy tickets at https://thinktank.gallery/stealthefire

More Stories

Why Would Anyone Spend $200 on This Single Cup of Coffee?

Each ticket to the tasting cost $250 and included coffee and water—no food. Plus, a guided tasting by leading coffee expert, creator, and SEY ambassador Lance Hendrick.

October 20, 2026

A Woody Guthrie Guitar, a 1776 Print of the Declaration of Independence, and Much More Are Now On View at The Huntington

You'll breathe in the scent of 15 oak tree species, manzanita, native Toyon, and more than 5,000 plants as you walk the grounds to arrive, too.

October 20, 2026

L.A. TACO’s 2026 Voter Guide

If you’re one of the million Californians who depend on federal funding for healthcare and not one of the roughly 250 billionaires living here, you’ve got a hell of a lot more to gain from reading all the way through. You’ll find someone or something that you agree with, or at the very least, someone to vote against. (Today, Monday, October 19, is the last day to register to vote.)

October 19, 2026

Sunday Taquitos #35: The A.I. Bubble Bursts

Sunday Taquitos! Art by Pulitzer Prize Finalist Ivan Ehlers.

October 18, 2026

Why Are So Many Restaurants Using A.I. for Menus Now?

I already miss the era of gloriously sticky menus, coated with years of grease and who knows what else, and a menu behind the counter with pixelated photos, overexposed plates, low-quality clipart, and typos galore.

October 16, 2026

Our 12 Favorite Menudos in L.A., Mapped

Rich, fatty, earthy, savory, and slightly spicy broth. There’s always a memory tied to menudo: nights of partying and needing that hot broth to bring you back to life; your parents making it for the holidays; or years-long family traditions. These are some of our favorites.