Skip to Content
Burbank

Lodestone Theatre Ensemble’s TRAPEZOID ~ April 18th-May 25th ~ GTC Burbank

12:17 PM PDT on April 17, 2008

I was ecstatic this morning when I saw Taco readers' comments on the Company of Angels' new production and I received this e-mail from CofA member Kila Kitu (see Taco story): "The response to L.A. VIEWS:Ten Minutes at a Time has been overwhelming. Three of our last shows have already sold out."

You see, when I joined the Taco writing staff, someone up there guided my way to the world of LA's theater groups and I was stunned by the talent I encountered. If you check the reviews posted under Taco's Theater link, you will get a glimpse into this wonderland. L.A.'s scene of small independent theater ensembles is a treasure that still needs to be discovered by the larger public so that these intelligent, compassionate and daring artists can keep on creating the compelling body of work that I've been privileged to enjoy over the last year and a half. In a recent must-read article, LA Weekly's Theater Editor Steven Leigh Morris raised the red flag on the fate of LA's live theater: "The Purpose of Theater in Absurd L.A."

This Friday sees the opening of a new production by the Lodestone Theatre Ensemble who has a special place in my heart for co-producing the first show I ever reviewed for Taco: the hilarious sketch-comedy TELEMONGOL, staged in collaboration with Cold Tofu, 18TH Mighty Mountain Warriors, and OPM Comedy. We all know how that first time sticks to you and sometimes with you. On that fateful night, TELEMONGOL's veteran performers took more than one bite of my virgin reviewer self and in the name of Decency, all I can say is my ribs still hurt.

Smelling a virgin... Wanru Tseng, Greg Watanabe, July Lee and Denise Iketani in TELEMONGOL.

Founded in 1999 by Philip W. Chung, Alexandra Chun, Chil Kong and Tim Lounibos, Lodestone's mission statement is "to provide a forum for Asian Pacific American artists in all aspects of the theatre arts. Lodestone seeks to challenge limited perceptions of Asian Pacific Americans through the creation of original theatrical productions as well as a fresh retelling of established works." In 2007, Lodestone tackled Euripides' "The Trojan Women" ("Where else would Asian Pacific American actors be allowed to play all the parts in a Greek tragedy written twenty-four centuries ago?” Philip Chung, co-Artistic Director) and a revamping of "The Mikado Project" (“Traditionally Asian American theatre companies have shied away from The Mikado because of the racial stereotypes that the show propagates; but what if an Asian American theatre company had no choice but to perform it? Its that sort of provocative premise that Doris and Ken explore with humor and intelligence. This is Lodestone's first musical production and its fitting that it should be one that perfectly fits into our mission to present Asian American work in a new and challenging way.” Director Chil Kong)

Their first production of 2008 is TRAPEZOID by Nic Cha Kim. It tells the story of a Korean American poet in love hired by a technology think tank to put the “art” in artificial intelligence. When the robot creation falls in love with the human creator, it's man-made versus mankind with sometimes comic and sometimes tragic results."From Collodi's Pinocchio, Shelley's Frankenstein and K. Dick's Do Androids Dream of Electric Sheep, artificial intelligence has been a fixture of science-fiction despite being a science for only 65 years. Trapezoid is my homage to writers and scientists alike." Nic Cha Kim.

"Trapezoid's playwright Nic Cha Kim is a Korean American writer, video artist and community activist. The recipient of numerous distinctions from the City of Los Angeles, Kim is best known for founding Gallery Row and leading the effort to create a gallery district in Downtown Los Angeles. As owner of Niche.LA Video Art, his work curating cutting-edge digital and video art has been recognized in Art Forum, LA Times and the Downtown News. Kim was voted top 10 most influential Angeleno by LA Alternative Press and profiled on LA18 in the segment Our Role Models. This is Kim’s first mainstage production at Lodestone."

TRAPEZOID @ The GTC Burbank, 1111-B W. Olive St., Burbank, CA 91506. April 19-May 25, 2008. Fri-Sat 8 PM, Sundays 2 PM. Low-Priced $8 preview April 18 at 8 PM. $16 for general admission, $14 for students/seniors. Tickets for the April 19th Opening Night Gala with a post-show reception are $25. All Sunday matinees (except May 25) will be pay-what-you-can admission with a $1 minimum. To RSVP: (323) 993-7245

For more info and list of cast and crew members go to: www.lodestonetheatre.org,

frankiely has a blog.

More Stories

A Letter From Our Staff: Setting the Record Straight

L.A. TACO will never stop covering ICE, immigration, and the attacks on our communities.

October 24, 2026

The Incredible Mercado Gonzalez Opens On the Edge of L.A.

There's a dish for any craving you may have at this puesto-packed concept that features all sorts of regional Mexican eats. And rumors suggest is may be coming to Inglewood next.

October 23, 2026

ICE Watch: Masked Agents Brutalized a Long Beach Man. Then News Outlets Invaded His Privacy

What is the moral line between breaking a story and respecting the privacy of a man who had his arm broken by ICE?

October 22, 2026

Build AskCA: A Unique Resource to Help Californians Navigate Life’s Challenges

AskCA has been created to help Californians through major life events such as starting your own business, finding a job, contacting family services, and disaster recovery.

October 22, 2026

L.A.’s 12 Best Panaderías For Pan De Muerto During Dia De Los Muertos

Los Angeles has the best pan de muerto scene in the country, from sourdough and vegan variations, to recipes that have been passed down through generations. Here are 12 panaderías around L.A. where you can find the fluffy, gently spiced, sugar-dusted pan dulce that is as delicious as it is crucial to the Dia de Muertos Mexican tradition.

October 21, 2026

Why Would Anyone Spend $200 on This Single Cup of Coffee?

Each ticket to the tasting cost $250 and included coffee and water—no food. Plus, a guided tasting by leading coffee expert, creator, and SEY staffer Lance Hendrick.

October 20, 2026