Bunker Hill ~ Downtown Texas-born Mex-American virtuoso Mr. Vallenato rips on accordion so hard that he has been embraced by Colombian musicians who he now tours with. Mr. Vallenato&#8217;s second song, a blaze through &#8220;La Pava Congona,&#8221; got the dancing started that would endure through the evening. Can you spy the beauty wearing the Colombian…

Grand Performances @ California Plaza ~ Downtown

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<p><span class="il">Lizbeth</span> Solorzano is a graduate student pursuing a Master&#8217;s in Specialized Journalism. As a native to Los Angeles, she loves writing stories about arts, culture, and local news. Growing up bilingual, she loved learning about different cultures and stories around L.A.</p>


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Lizbeth Solorzano

<p>Lexis-Olivier Ray is an award-winning staff investigative reporter for L.A. TACO known for holding powerful people in Los Angeles accountable and his reporting on Los Angeles culture. As well as an artist and filmmaker. In 2022, the Society of Professional Journalists&#8217; Los Angeles chapter named Ray one of their &#8220;distinguished journalists.&#8221; In 2023, Ray won a second place Anthem Award in their Health Innovation category for a texting service geared towards the unhoused community and service providers that he launched in 2021 with L.A. TACO and Subtext. Ray was a 2020 USC Center For Health Journalism (CHJ) Data Fellow. As well as a 2022 CHJ Impact Fellow. As a freelancer, Ray has contributed to the L.A. Times, Men&#8217;s Health Magazine, KCET and SFGATE.</p>


Lexis-Olivier Ray

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<p>A.k.a. Afroxander; Editor-At-Large (formerly Weekend Editor) at L.A. Taco and a lecturer at California State University San Bernardino &amp; San Diego State University. He has covered arts, culture, history, politics, and sports with an emphasis on Latin America and its U.S. diaspora for over two decades.</p>


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A Los Angeles police officer stands facing a red, white, and blue mural by the artist Barbara Kruger. The mural asks nine questions: “Who is beyond the law?”, “Who is bought and sold?”, “Who is free to choose?” “Who does the time?”, “Who follows orders?”, “Who Salutes longest?”, “Who prays loudest?”, “Who dies first?” and “Who laughs last?”.

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<p>Professional punk and Editor-In-Chief for James Beard Award-winning L.A. TACO. Associate Producer for JBA-winning Las Crónicas Del Taco. Former restaurant scout for Jonathan Gold. Co-author of &#8220;Oaxaca: Home Cooking From the Heart of Mexico (2019, Abrams) and &#8220;Asada: The Art of Mexican-Style Grilling&#8221; (2023, Abrams).</p>


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Drink

No Sign, No Menu, and Alcohol-Free: Inside Downtown L.A.’s Hidden Tea Speakeasy

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<p><span style="font-family: arial, sans-serif">Emilio Valdez is a street-level photographer with a special interest in documenting the ever-changing neighborhoods of Central and East Los Angeles</span><span style="font-family: arial, sans-serif">. His work focuses on bringing the past and present discrimination of marginalized people of color to light.</span></p>


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Sushi placed in the shape of a heart on a woman's nude butt

People

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<div>IG: <a id="m_-8957504711371111195plusReplyChip-0" class="gmail_plusreply"></a>@ivan_ehlers</div>


Ivan Ehlers

Sunday Taquitos #34: Coup Season

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<p dir="ltr">Jake Hook is a local food historian in Los Angeles. They run the Diner Preservation Society, dedicated to highlighting the city&#8217;s traditional food culture. Follow him on Instagram at @<a href="https://www.instagram.com/dinertheory/">DinerTheory</a>.</p>
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Opinion

Brick-and-Mortar Restaurants Need to Stop Blaming Street Vendors

<p>One of L.A. TACO&#8217;s co-founders, Hadley Tomicki is a writer and editor on food, travel, and culture whose work has appeared in the Los Angeles Times, New York Magazine, UrbanDaddy, High Times, and many other places.</p>


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<p>Héctor Zaldívar is the head of a print magazine and art/music publication titled Dead Relatives. Completely written and designed by Zaldívar, every month subscribers are mailed in-depth stories on different subcultures from graffiti in Latin America to hardcore punk to lowrider culture and back.</p>


Héctor Zaldívar

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